After Effects Basics Part 1: Using the Rigid Mask Tracker - L6623a; Transforming 2D Design to 3D Animation in After Effects - S6608; After Effects Basics Part 2: Using Content-Aware Fill for Video - L6623b; After Effects Basics Part 3: Using 3D Camera Tracker - L6623c ★. Activating this bring said frame into Photoshop, where you can work on removing the offending object, by using that app’s Content Aware Fill to recreate the background. Once done, After Effects will then use that altered frame as a reference to improve its own calculation and give you a more seamless result for your clip. Overview Transcripts Exercise Files View Offline Course details Removing objects from a scene has never been easier thanks to the Content-Aware Fill feature in Adobe After Effects. Content Aware Fill for Video, previewed in a Sneak at 2017 MAX, is now available in the latest version of After Effects. This feature allows you to remove unwanted objects from your video footage. “Content-Aware Fill in After Effects in the right hands is much more powerful than Nuke and digital painting,” Jack says. “I could process a shot in one-tenth the time in After Effects.” Jack also discovered that Content-Aware Fill can save the day if a movie is rejected during the QC process at lab.
Handle lighting shifts in footage better with improved Content-Aware Fill. It helps you cleanly remove objects from footage where harsh lighting changes occur throughout the footage.
The default working space and Gamma curve is modified for all RED files.
Work with a wider range of video clips, including ones where lighting changes over time with the new Lighting Correction in Content-Aware Fill. This update to Content-Aware Fill removes objects that are moving through different lighting intensities. In the previous releases, Content-Aware Fill stays true to the reference frame and does not take into consideration lighting changes which can cause artifacts. When you enable lighting correction, you get results that look more realistic and do not contain distracting artifacts.
For more information, see Lighting Correction in Content-Aware Fill.
The default working color space and Gamma curve has been modified for all RED files.
| File type | Default working space in older versions of After Effects | Default working space in After Effects version 17.6 and later |
|---|---|---|
| Red files |
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| Komodo files |
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Note:
All old projects continue to have the previous settings and are not impacted by this change. You can choose to change the colour space and Gamma space as per your requirements.
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In this video tutorial, learn the basics of the brand new Content-Aware Fill in After Effects — including a free project file!
Adobe set the internet ablaze with the announcement of the new Content-Aware Fill feature in the latest After Effects CC release. Now, let’s see if this new feature lives up to the hype. (Spoiler alert: Yes, it does.) In this tutorial, we’re going to cover how to use the new Content-Aware Fill feature in After Effects CC.
So, let’s get started! (Be sure to download the project file, which includes footage to follow along!)
How To Content Aware Fill
Download the project file
This project file is free for personal or commercial use. By downloading, you agree not to redistribute this file.
What Is Content-Aware Fill?
Content-Aware Fill in After Effects lets you remove unwanted areas or objects in video footage, while automatically filling in the area of the removal. It analyzes frames over time to fill in missing pixels by pulling them from other frames in the footage. It’s similar to the Content-Aware Fill in Photoshop, except in After Effects, it’s temporally aware, and it works on video footage.
How to Start Using Content-Aware Fill
To begin using Content-Aware Fill in After Effects, navigate to the Window tab at the top of the screen, then select Content-Aware Fill. This will open up the Content-Aware Fill panel in your workspace. You will then need to mask out the object you want to remove from your footage. (You may need to keyframe the placement of your mask if your object is moving throughout.) Set the mask to Subtract so that you now have a transparent alpha channel where that mask is on your footage. You should be able to see a mini-preview of where that mask is on your footage in the Content-Aware Fill panel.
You can now select Generate Fill Layer in the Content-Aware Fill panel. After Effects will then analyze the footage and render a .PNG sequence, which it places in the composition. That .PNG sequence fills in the masks/gaps in the footage.
If everything worked correctly, the unwanted objects should no longer be in your footage.
Different Fill Methods
There are three different fill methods you can select from when you use Content-Aware Fill. They are named Object, Surface, and Edge Blend. The Object Fill method will likely be the most commonly used, and it is the default fill method.
- Object Fill: Great for removing moving objects in your footage.
- Surface: Ideal for removing stickers, decals, or logos on a smooth surface.
- Edge Blend: Fast method, best used on low-detail surfaces like paper.
Adobe After Effects Content Aware Fill In Premiere Pro
Creating a Reference Frame
In some cases, when Content-Aware Fill isn’t giving you the results you want, you may have better luck using a Reference Frame. (I find this ideal when removing static objects from footage, such as a cell tower or a parked car.) When you select Create Reference Frame, After Effects automatically exports a frame from your video to Photoshop. You can then use the Clone-Stamp tool to fill in the removed area. Then save and close the image in Photoshop.
That reference image will automatically import back into After Effects and into your composition. Content-Aware Fill will now take that reference image into account when it generates the fill throughout the video.
Extra Tips
From my experience with Content-Aware Fill, it seems to work best on objects moving through your footage. This allows After Effects to “see” what the video should look like when the object isn’t supposed to be there. When removing static objects in the scene, results will vary. I recommend using the Create Reference Frame option in those cases. Also, I got the best results when I put a small amount of feathering on my removal masks. It doesn’t take much — usually about 2-8 pixels of feathering.
Interested in the tracks we used to make this video?
- “Retro Vibes” by Wolves
- “Don’t Forget” by Marc Walloch
Looking for more video tutorials? Check these out.